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Despite some strange costuming, she did her utmost to provide intricate characterization and development. But for all this chaos, it is worth noting that in moments where the singers sounded uncomfortable with her tempi, Scappucci was quick to adjust to them, allowing them to bring their best to the performance. He captures the insouciant elegance of the opening scene, with neatly executed turns in Questa o quella, as well as he does the bravado swagger of the final act. More information is available on the official website of the opera house. It provided a seamless transition into the Piangi, with Kelsey crescendoing from the C natural into the ensuing D flat. Cast: Joseph Paur,Frank Gerrish,Ivey Lloyd . Miei signori, perdono, pietate! featured some of the most captivating legato singing from the baritone on the evening, his voice practically weeping with every phrase, Rigolettos heart on his sleeve; the final Pietas during the cadenza, descending from the high F, were diminuendoed with such intensity so to depict heart-wrenching desperation and final one crescendoed and portamentoed into the high D flat with similar intensity. One of the things that is so incredible about Rigoletto within Verdis oeuvre is its pacing. The Tony Award-winning director resets the opera's action in 1920s Europe . All performances to. Rigolettos role (which was never quite clear in Las Vegas) is at least back to status quo of Piaves libretto, even if this is yet another transposition. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. English conductor Karel Mark Chichon made his Met debut in 2016 conducting Madama Butterfly, returning in 2020 for performances of La Traviata. For up-to-date casting go back to the previous page. Karel Mark Chichon conducts. As he shouted out Addio from behind a closed door, Feolas Gilda shifted from tentative and nervous to sprightly and excited. Other notable roles include Ramfis in Aida in Verona and Zurich, Giorgio Germont in La Traviata at La Scala, Colline in La Bohme in Venice, and Sarastro in Die Zauberflte at the Hamburg State Opera. The story, based on a controversial play by Victor Hugo, tells of an outsidera hunchbacked jesterwho struggles to balance the dueling elements of beauty and evil that exist in his life. Opera is thriving. We are doing maintenance on the website until approximately 1 am ET Friday, February 10. 2022 Metropolitan Opera Wiener Staatsoper; 2021 Royal . His entire duet with Rigoletto in Act one was fascinating, the bass digging into his thick and earthy tone with each phrase. World premiere: Teatro La Fenice, Venice, 1851A dramatic journey of undeniable force, Rigoletto was immensely popular from its premiere and remains fresh and powerful to this day. Home Performances Rigoletto. Verdi's Rigoletto. Written during the most fertile period of Verdis artistic life, the opera resonates with a universality that is frequently called Shakespearean. He perhaps lacks the nastiness for the part, but more than makes up for it with an Act 2 aria of such tenderness and sincerity that I almost believed that the Duke could be in love with Gilda. Verdi: Rigoletto (2022) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Gary Halvorson Writing Credits (in alphabetical order) Cast Camera and Electrical Department Kevin Murphy . She is originally from Las Vegas and attended UNLV. Jen is a web producer at KPBS, responsible for program promotion, online membership-related activities, and is the editor of the KPBS community calendar. His body opened up at its most forte, as if ready to take on the world, only to shrink back into itself on his piano lines. The baritone Quinn . Last night's affair proved this entirely wrong no fewer than three Met debutants galvanized this performance into one of the best performances ofRigoletto I've heard in years. Opera splits things up a little differently, so a mezzo is basically in the soprano 2/alto 1 range, while a contralto is an choral alto 2. Other performances are November 14, 17, 20mat, 26mat, 29, and December 3, 8, 11mat, 14, 17mat, 20, 23, and 29. Artists. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. American set designer Michael Yeargan has designed more than a dozen productions for the Met, including the Gershwins Porgy and Bess, Romo et Juliette, LElisir dAmore, Les Contes dHoffmann, Le Comte Ory, and Il Barbiere di Siviglia. During his time at Fordham, he studied abroad at the Jagiellonian University in Poland. Her vocal approach to the role was perfectly aligned to her characterization. But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then . In adapting it, Verdi and Piave fought with the Italian censors and eventually settled on moving the story to the non-royal Renaissance court of Mantua, while holding firm on the core issues of the drama. Rigoletto [rioltto] is an opera in three acts with music by Giuseppe Verdi and an Italian libretto by Francesco Maria Piave, based on the play The The King Has Fun, by Victor Hugo.Premiered on March 11, 1851 at the La Fenice theater in Venice, together with El troubadour and La traviata (both from 1853), it forms the popular trilogy that Verdi composed. 24, 2022 Karen Kamensek will conduct the May and June. Canadian bass-baritone John Relyea, who just ended a highly . She is currently a studio artist at Moscows Bolshoi Theatre, which she joined after singing at the Galina Vishnevskaya Theatre Studio. During the trio, he erupted with the firepower that hed displayed in Don Carlo, his voice booming over the orchestral torrent, his phrasing precise and pointed. Wagner's soaring masterpiece makes its triumphant return to the Met stage after 17 years. Audio from the December 31, 2021, as well as the January 4, 19, and June 8, 2022, performances will be streamed live on the Mets website, metopera.org. Production title: Rigoletto - The Metropolitan Opera (2021-2022) Creation date: 02/06/2019 Work - Composer: Rigoletto - Giuseppe Verdi Opera house: The Metropolitan Opera. As he remarked on the Duke, his voice became pointed; one could feel the anger boiling over, his voice growing in strength over the tremolo strings. We might use this to show you more relevant content, We might use this to let you know about interesting events to attend near you, We might use this to address you personally in our newsletters. He does manage some darker tableaus to fit with the general mood of Rigoletto, but he also relies heavily on the now cliched turntable that so many directors have aped repeatedly on the Met stage. Nov 17, 2022 Metropolitan Opera 2022-23 Review: Rigoletto Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos By David Salazar (Credit: Curtis Brown) In a recent interview with OperaWire, composer Lori Laitman noted that Verdi's " Rigoletto " was among her favorite operas. Classical Music Opera The Met: "Rigoletto" (Review) Feb. 8 and Feb. 19 at 8, Feb. 12 at 7:30, and Feb. 16 at 1: . I've never heard a Gilda so convincingly sound like she is at death's door. His particular interests include 20th century French violin sonatas and baroque opera, and he is currently pursuing his PhD in London, UK. 31 Dec 2021 - 11 Jun 2022. But most of the night, and especially in these fast sections, the weight in the lower strings was completely inaudible (please note that I was in the orchestra section and that might have had something to do with that experience). The Tony Award-winning creative team, including director Bartlett Sher, set designer Michael Yeargan, costume designer Catherine Zuber, and lighting designer Donald Holder, sets the classic tragedy in 1920s Europe, featuring Art Deco sets and elegant costumes. 20 des. 'Rigoletto' at The Met Opera Ken Howard While the highly anticipated revival of The Music Man idles awaiting the recovery from COVID of its stars Hugh Jackman and Sutton Foster and other. Feola was in equally fine voice, her warm lyric soprano on the cusp on womanhood. The Met rings in the new year with the gala premiere of a bold new take on Verdi's timeless tragedy from Bartlett Sher. She played up her flirtation with the Duke throughout the quartet and then provided assertiveness throughout the trio. GREAT PERFORMANCES AT THE MET "Rigoletto", UC San Diego Health steps in to help El Centro hospital stay afloat, Current rainy season could be a drought buster, forecaster says, Settlement reached in Tijuana sewage lawsuit, Brittney Griner urges the return of U.S. detainees abroad at NAACP Image Awards, Washington state attorney general says FDA rules on abortion drug are unreasonable, An Arizona driver is in custody after crashing into bicycling group, killing 2, After a rocky decade, UC San Diego's art gallery is back, Karama presents 12th Annual San Diego Arab Film Festival, Choosing a school for your child? He is a professor at the Yale School of Drama. She slowly crept up those stairs, the trepidation apparent, and glimpsed inside. She brought a seemingly endless supply of energy to the evening, with swift tempi and impressively monolithic brass. And suddenly our attention shifts away from Rigolettos truly private and essential CHARACTER moment, to something else. For further details on Rigoletto, including casting by date, please click here. As the scene progressed, you could sense him losing hope, his sound diminuendoing. He has conducted all of the major Italian symphony orchestras, as well as many throughout Europe, and has also led productions at La Scala, Staatsoper Berlin, Dutch National Opera, the Paris Opera, Pesaros Rossini Opera Festival, and in Aix-en-Provence, Valencia, Venice, Madrid, Stuttgart, Zurich, Tokyo, Rome, and Naples, among others. In the context of the opera, the merely lovely music becomes inspired drama. In Act two, he arrived on the scene like a man on a mission, his head on a swivel, his body frantic as it searched for his missing Gilda. Review: Amid Omicron, the Met Opera Opens a Weimar 'Rigoletto'. The Metropolitan Opera ended its mid-winter hiatus with the much anticipated premiere of Franois Girard's production of Wagner's Lohengrin on Sunday afternoon. The HD broadcasts are supported by Toll Brothers, America's luxury home builder. [June 4, 2022, Encore on June 8, 2022] Check out the entire Met Opera season! The music says one thing, the stage says another. Rigoletto Worldwide Broadcasts in Cinema, Radio, and Online. Directors love Wagner's operas, which infuse the suggestive sketchiness of parables into clearly conceived plots and characters. On Dec. 31, the Metropolitan Opera opened a new production of "Rigoletto." It was the first time since 2013 that the company was showcasing a new staging of Verdi's masterpiece and it was a departure from the Las Vegas set. On first listen, Feolas voice is not what has become the typical Gilda voice a light coloratura voice with extreme highs. Its an intimate passage and one of Verdis most radical (at the time). Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. His Cortigiani is utterly overwhelming, the emotional anchor of the entire work. She also conducted the Met's original cast album of Akhnaten, which won the 2022 Grammy Award for Best Opera Recording. or do we focus on Gildas preparations for her sexual encounter with the Duke? Confusion, unless part of the thematic underpinning of the story, never makes for good storytelling. She served as music director and chief conductor of Staatsoper Hannover between 2011 and 2016, and music director of Theater Freiburg between 2003 and 2006. In a remarkable career spanning six decades in the theater, Giuseppe Verdi (18131901) composed 26 operas, at least half of which are at the core of todays repertoire. . : ','}}, Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). Croatian bass Ante Jerkunica makes his Met debut as Sparafucile this season. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). Performances are May 28 and June 1, 4, 8, and 11. dammi coraggio was sung with a glorious piano to forte crescendo that expressed Gildas fear and pain all at once. Pretty but Pointless. On the repeat of the melody, she spun a similarly delicate legato line, her high B flats fluid and sparkling. Yet, somehow, Andante mosso agitato was decidedly faster than the Allegro Vivo. The climactic final B natural, and the preceding run, were delivered with bravura, the high note reverberating throughout the cavernous Met. Bartlett Shers new production, which opened on New Years Eve last year, isnt that much more revelatory in terms of presenting new ideas or adding newfound depth to the classic story. Note for note, moment for moment, this without any doubt in my mind is the most compelling Rigoletto that Ive heard at the Met in a decade. Roger Hodgman, 53, is director of the Melbourne Theatre Company. AussieTheatre.com - Mon, 16 Mar 2020 . NYT Critic's Pick. For up-to-date casting go back to the previous page. Italian bass Andrea Mastroni reprises his portrayal of Sparafucile, a role he has previously sung at the Met in 2017 and La Scala. Met Opera | April 15, 2023. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. But the ensuing Act is where her commitment to the character was at its most powerful. Samson et Dalila (Saint-Sans) Tosca (Puccini) The Elixir of Love (Donizetti) 2021-2022 Season. Arizona Opera officially announced its 2023/24 Season, featuring four opera productions including a World Premiere in Phoenix and Tucson, as well as the companys inauguralNew Works Festivalin Phoenix, and a new series of community concerts in Tucson. Pari siamo is at the core of Rigoletto. Its in this moment, when the titular character, having been damned by another fallen father, meditates on a recent conversation with the murderer Sparafucile. His Chi tha colpita? Rigoletto is in three acts to an Italian libretto by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo. As he crescendoed into Mora! you could feel the pain and anger wrapped into one. John Dexter's production, now among the longest-serving in the company's repertory, remains a marvel of simple, effective storytelling. 2022 | 19:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States l. 23 des. Rigoletto at the Met, Spring Cast May 2, 2013. . A seven-time Tony Awardwinner, her work has been seen on Broadway in productions such as My Fair Lady, Oslo, The King and I, Golden Boy, How to Succeed in Business Without Really Trying, Born Yesterday, South Pacific, and The Light in the Piazza. Francesco Maria Piave (1810-76), Verdi's librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbethand Simon Boccanegra. At the close of the duet, his piano singing blended with Feolas almost as one with the cadenza, as noted, spot on through the several runs. The explosion of sound on Tamo; ripetilo s caro accento built on Feolas previous crescendo on her own Tamo, ramping up the energy of the moment. It was hard to decipher what was going on and the fact that this kind of abstraction was never hinted at our set up anywhere else in the production (which was played as straight as possible) took you right out of the moment. Visit Website. Studio: The Metropolitan Opera. The final Adagio preceding Parmi veder le lagrime featured an exquisite run up to a sparkling high B double flat and a subsequent pained diminuendo. The company noted that Erin Morley will sing the role of Gilda on May 28 through June 11 replacing the originally announced Kristina Mkhitaryan, who has withdrawn from the production. In the role of the Duca di Mantua was tenor Benjamin Bernheim, who was supposed to debut at the Met a few years back, but had to wait thanks to COVID-19. Also making her debut was the young mezzo Aigul Akhmetshina as Maddalena. John Relyea will make his Met role debut as Sparafucile in Verdi's Rigoletto, replacing Andrea Mastroni. American lighting designer Donald Holders credits at the Met include the Gershwins Porgy and Bess, Die Zauberflte, Nico Muhlys Two Boys, Otello, and Samson et Dalila. Industry Professionals. Ascolta Patrice Munsel senza limiti su Qobuz e acquista gli album in Hi-Res 24-bit per una qualit sonora senza pari. Met Opera | April 22, 2023 . {{::date | momentFormat:'D'}}{{$last ? '' That didnt last long as he took on a harder and more aggressive edge with S vendetta, exploding with a sound at the climax of this passage. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. His entire duet with Rigoletto in Act one was fascinating, the stage says another, Spring May! February 10 abroad at the Galina Vishnevskaya Theatre studio directors love wagner & # x27 s!, America & # x27 ; Rigoletto & # x27 ; s Rigoletto, Verdi the... Company 's repertory, remains a marvel of simple, effective storytelling,! 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Italian bass Andrea Mastroni reprises his portrayal of Sparafucile, a role he has previously sung at the Met Spring.

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